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The film starts earning its noir credentials straight after the stylish title sequence concludes, as the camera drifts up from a busy street scene towards the upstairs bar in which Easy is scouring the job ads, where the scene is set delivered by his own reflective narration It was summer, 1948, and I needed money Easy himself ticks all the right boxes, being a solo figure who is drawn into a web of intrigue by a seemingly simple job, one that quickly blows up in his face and involves him in dark dealings and several deaths

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The case of the dying kimono: the influence of changing fashions on the development of the Japanese woolen industry